Ulrika Fredrika Pasch, född 10 juli 1735 i Stockholm, död 2 april 1796, var en svensk konstnär. Hon var dotter till konstnären Lorens Pasch d.ä. och Anna Helena Beckamn, syster till konstnären Lorens Pasch d.y. och brorsdotter till konstnären Johan Pasch. Ulrika Pasch började måla 1756 men hade tidigt tillsammans med sin bror fått undervisning av fadern. Hon blev hushållerska åt en släkting, men målade på fritiden. Under en tioårsperiod försörjde hon sin pappa och syster som professionell porträttmålare i Stockholm innan hennes bror återvände från sina studier utomlands 1766, då de började arbeta tillsammans. Deras samarbete beskrivs som harmoniskt och de valdes båda in i konstakademien 1773. Hon var inte den första kvinnan som valdes in i akademin, men hon var den första kvinnliga yrkeskonstnären som blev vald. Hon ska ha målat detaljerna på broderns tavlor, som klädesdetaljer och liknande. Ulrika hade en framgångsrik karriär och målade ofta porträtt av kungafamiljen och hovet. Hon ansökte dock upprepade gånger förgäves för en pension. Systern Helena Lovisa (1744-96) hushållade åt sina syskon. Trots att det sägs att hon själv var en ödmjuk person som aldrig framhävde sitt arbete, så är hon en av få kända självförsörjande kvinnliga yrkeskonstnärer i Skandinavien före artonhundratalet.  Related Paintings of ulrica fredrica pasch :. | jean gabriel l estrade | samuel af ugglas | detalj av sjalvportratt | sjalvportratt | jakobina carolina schulzen |
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Jules Cheret
French Printmaker , 1836 - 1932 Paris was a French painter and lithographer who became a master of poster art. Often called the father of the modern poster. Born in Paris to a poor but creative family of artisans, a lack of finances meant Jules Cheret had a very limited education. At age thirteen, he began a three-year apprenticeship with a lithographer and then his interest in painting led him to take an art course at the Ecole Nationale de Dessin. Like most other fledgling artists, Cheret studied the techniques of various artists, past and present, by visiting Paris museums. He was trained in lithography in London, England, from 1859 and 1866, and there he was strongly influenced by the British approach to poster design and printing. On returning to France, influenced by the scenes of frivolity depicted in the works of Jean-Honore Fragonard and other Rococo artists such as Antoine Watteau, Cheret created vivid poster ads for the cabarets, music halls, and theaters such as the Eldorado, the Olympia, the Folies Berg??res, Theatre de l'Opera, the Alcazar d'Ete and the Moulin Rouge. So much in demand was he, that he expanded his business to providing advertisements for the plays of touring troupes, municipal festivals, and then for beverages and liquors, perfumes, soaps, cosmetics and pharmaceutical products. Eventually he became a major advertising force, adding the railroad companies and a number of manufacturing businesses to his client list. As his work became more popular and his large posters displaying modestly free-spirited females found a larger audience, pundits began calling him the "father of the women's liberation." Females had previously been depicted in art as prostitutes or puritans. The women of Cheret's posters, joyous, elegant and lively - 'Cherettes', as they were popularly called ?? were neither. It was freeing for the women of Paris, and lead to a noticeably more open atmosphere in Paris where women were able to engage in formerly taboo activities, such as wearing low-cut bodices and smoking in public.
asillia guillen

Giovanni del Biondo
Italian Gothic Era Painter, active 1356-1399,was a 14th century Italian painter of the Gothic and early-Renaissance period, active 1356-1399.